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Marion also directed several films during the early 1920s. Hill, 1930 divorced, 1933.įrances Marion, the most-celebrated screenwriter of the American silent era, wrote more than 130 films between 19, including films for Mary Pickford, Lillian Gish, Norma Talmadge and Marion Davies. Married cinematographer and writer George W. Married actor Fred Thomson, 2 November 1919 adopted son, Richard Thomson son, Frederick Thomson Jr., born December 1926 until Fred’s death, 25 December 1928. Married Robert Pike, November 1911 divorced, November 1917. Married Wesley de Lappe, October 1906 divorced, November 1911. This does not affect my opinion of the book or the content of my review.Born 18 November 1888 in San Francisco, California, USA, as Marion Benson Owens.
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I received this book for free in exchange for an honest review. Their inquietudes, strengths, and sorority are values that we must keep alive. Her narration definitely provided an excellent experience without interfering with the story.įrances and all the women mentioned in the book should be an inspiration for all of us. Holly Palance’s voice kept a compelling tone throughout the book, keeping my attention at all times. It is a journey through time in the history of cinema, and one that every cinephile must travel. There are very well known names mentioned throughout the book, like her best friend Mary Pickford, a very young Gary Cooper, her old friend Jack London, and the charismatic Marie Dressler, among them. Francis was a visionary, she had a unique talent for adapting and writing scripts, and when the times changed, with censorship, the coming of sound, and the economic crisis, she was able not only to survive but to flourish, always bringing support to the ones she loved, and the ones who have been for her over the years. She became the first female to win an Academy Award for Best Adapted Screenplay in 1930 for the film The Big House, she received the Academy Award for Best. The book is a delight for any cinema aficionado, and it is interesting how the Hollywood landscape and industries changed over the years. During World War I, she had filmed women’s contributions at the front for the US government and, on this assignment, became the first woman to cross the Rhine after the Armistice (Beauchamp 1997, 98). Her resilience, fairness, and how she believed in the power of women supporting women. Frances Marion is credited with directing two motion picturesThe Love Light (1921) and Just Around the Corner (1921). A prolific and powerful writer, she is credited with creating the job of screenwriter as we know it in Hollywood. This is the story of Frances Marion, one of the most well-paid screenwriters in Hollywood, but it is also the story of everything surrounding her during those years. Frances Marion was, at the height of her career in the early 20th century, one of the highest paid people in Hollywood. I found this book so inspiring that I have loved it from beginning to end. Without Lying Down is an eminently readable and meticulously documented portrait of a previously hidden era that was arguably one of the most creative and supportive for women in American history. As talented, successful, and prolific as Frances Marion was, these relationships were as legendary as her scripts. Though she married four times, had two sons, and a dozen lovers, Frances's life story is mostly the story of her female friendships. On top of all this, she painted, sculpted, spoke several languages fluently, and played "concert caliber" piano. Her stories were directed by George Cukor, John Ford, Alan Dwan, and King Vidor, and she went on to direct and produce a dozen films on her own. Irving Thalberg "adored her and trusted her completely, " William Randolph Hearst named her for the head of west coast production for his Cosmopolitan studios, and in 1928, Sam Goldwyn raised her salary to an unparalleled $3,000 a week. From 1916 to 1946 she wrote over two hundred scripts covering every conceivable genre for stars such as Mary Pickford, Gary Cooper, Greta Garbo, Marion Davies, Rudolph Valentino, Clark Gable, Marion Davies, Rudolph Valentino, Clark Gable, and Marie Dressler. She was the first woman to twice win an Academy Award for screenwriting. Without Lying Down: Screenwriter Frances Marion and the Powerful Women of Early Hollywood by Cari Beauchampįrances Marion was Hollywood's highest paid screenwriter - male or female - for almost three decades.